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Pieter Aertsen Market Scene oil painting


Market Scene
Painting ID::  32223
Pieter Aertsen
Market Scene
Oil on oak wood, 91 x 112 cm

   
   
     

Pieter Aertsen Vanitas still-life in the background Christ in the House of Mary and Martha oil painting


Vanitas still-life in the background Christ in the House of Mary and Martha
Painting ID::  39674
Pieter Aertsen
Vanitas still-life in the background Christ in the House of Mary and Martha
mk150 1552 Signed and dated Panel 60x101.5cm

   
   
     

Pieter Aertsen Peasants by the Hearth oil painting


Peasants by the Hearth
Painting ID::  40378
Pieter Aertsen
Peasants by the Hearth
mk156 1556 Oil on panel 142.3x198cm

   
   
     

Pieter Aertsen Butcher sale state with flight nacb Agypten oil painting


Butcher sale state with flight nacb Agypten
Painting ID::  45511
Pieter Aertsen
Butcher sale state with flight nacb Agypten
mk186 1551 Uppsala, Universiter Konstsamling

   
   
     

Pieter Aertsen Museums national market woman at the Gemusestand oil painting


Museums national market woman at the Gemusestand
Painting ID::  45569
Pieter Aertsen
Museums national market woman at the Gemusestand
mk186 1567 Berlin foundation, Gemaldegalerie

   
   
     

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     Pieter Aertsen
     1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

     Related Artists::.
     | James-Goodwyn Clonney | Henry Thomas Alken | LOO, Louis Michel van |


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